突袭是由加雷斯·埃文斯执导由美国和印度尼西亚联合制作于2012年3月23日在印尼上映 清晨特警Rama伊科·乌艾斯 Iko Uwais 饰做完祷告和训练告别还没有起床的妻子去迎接一项特殊的任务在雅加达的贫民窟的深处世界上最危险的杀手和黑帮集结在一个坚不可摧的房子内到现在为止破旧的公寓甚至被神勇的警察也视为无法接近的在黎明前黑暗和寂静的掩护下一组身兼重要任务精英特警队与执法人员慢慢接近了房子以便接近臭名昭著的毒枭但他们袭击的消息被毒枭偶然发现接着建筑物的灯光被切断所有的通道被堵这群特警必须要在世界上最残酷的环境下为生存展开搏斗
影片是根据谢尔盖·卢科扬涅科的三部曲中的守夜人改编 光明军队与黑暗军队签订了一项为期一千年的免战合约一千年后两支军队的首领格谢尔符拉季米尔·门少夫 Vladimir Menshov 饰和扎乌龙维克多尔·维尔热宾茨基 Valeri Zolotukhin 饰生活在今日的莫斯科守夜人跟踪黑暗的异己势力维持善与恶之间的平衡；而守日人则是监视光明力量的活动一旦善恶比例失衡就会引起战争革命毁灭甚至全世界的灾难菜鸟守夜人安东·格洛节茨基康斯坦丁·哈宾斯基 Konstantin Khabenskiy 饰的监视对象是吸血鬼科斯佳阿雷克西·查多夫 Aleksey Chadov 饰小男孩叶戈尔出现了他拥有着打破光明黑暗两派平衡的力量谁得到他都会取得最后的胜利为了争夺终极力量的人魔大战开始了自此世界开始崩溃…… 叶戈尔将走向光明还是走向黑暗
Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas
