The third feature in the drama franchise that focuses on theviolent world of British football hooliganism 14 years after turninghis back on the Green Street Elite and channelling his energies intomixed martial arts, Danny Harvey Scott Adkins‘s world is shatteredwhen his younger brother Joey Billy Cook is killed in what seems to bea preplanned fight With no leads to go on, and determined to seekjustice, Danny is forced to reenter the world of organised footballhooliganism in order to find out the identity of his brother‘s killerand mete out revenge in the only way he knows how
外太空镭射枪变态杀人狂光临美利坚小镇居民面临灭顶之灾
Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas
A young journalist goes deep undercover within a mountain commune and becomes manipulated by a duplicitous cult leader
莎拉伊丽莎白·奥尔森 Elizabeth Olsen 饰和父亲来到了空置已久的湖边小屋因为这里即将被出售给他人所以父女两人决定先过来把卫生给打扫打扫也算是一种告别的仪式时间一分一秒的流逝着夜幕渐渐降临黑暗和静谧笼罩着湖面亦覆盖了小屋 一声异响之后萨拉呼唤父亲的名字却得不到回应她搜寻整个小屋却发现父亲竟然从这件屋子里凭空消失了夜越来越深恐惧慢慢充斥了萨拉脆弱的心灵在这个完全与外界隔绝的小屋周围很显然潜伏着一些莫名而未知的危险如今萨拉只能靠自己的力量走出这间小屋然而当她每迈出一步时她离这间小屋的秘密就更近了一步
