
本部黑白短片讲述一对儿新婚燕尔的小夫妻在一个星期里搭建他们的便携式新房的温馨小故事九号礼拜一他们开始按序号搭建这座便携式新房可惜弄错了号码;十号礼拜二七扭八歪极具后现代主义的新房初具规模;往后的几天里在搭建屋内的过程中更是发生了诸多意想不到的小插曲;十三号礼拜五他们终于如期完成了房子的搭建大摆筵席可是突如其来的风波又将如何上演最后是否会是happy ending呢
这对儿小夫妇在与房子的战争中忙得不亦乐乎发生了一连串妙趣横生的轶事推荐©豆瓣
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era in this case, the late 1980s Soviet Union With Glasnost and the end of communist rule, the West also learned of the unsurprising fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter
Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever newpossible motives for the actions of all the protagonists It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before

本部黑白短片讲述一对儿新婚燕尔的小夫妻在一个星期里搭建他们的便携式新房的温馨小故事九号礼拜一他们开始按序号搭建这座便携式新房可惜弄错了号码;十号礼拜二七扭八歪极具后现代主义的新房初具规模;往后的几天里在搭建屋内的过程中更是发生了诸多意想不到的小插曲;十三号礼拜五他们终于如期完成了房子的搭建大摆筵席可是突如其来的风波又将如何上演最后是否会是happy ending呢
这对儿小夫妇在与房子的战争中忙得不亦乐乎发生了一连串妙趣横生的轶事推荐©豆瓣