本杰明巴顿奇事

　　少女凯特莱斯利安妮·哈芙 LeslieAnne Huff 饰拥有一种神奇的能力随便什么人她只要看上一眼便能知道他的死期为何时一次偶然中凯特遇见了名为杰森Anthony Chaput 饰的男子凯特发现杰森拥有能够在死后和现世交流的能力并且杰森的死期就在几个小时之后一直想要知道死后世界是什么模样的凯特摆脱杰森在死后同她联络杰森兴然应允
　　果然很快杰森便死了在临死之时一副诡异恐怖的画面出现在了杰森的眼前之后凯特果然接到了杰森来自阴间的电话根据杰森的指使凯特需要前往香港在那里一位名叫达伦陈奕迅 饰的酒保正在等她

　　雷维尔是名医生他的妻子被杀害了在葬礼上他遇到了负责侦探这个案件的警官他追问警官何时破案然后这个凶杀案最后却变成了没有线索没有凶手的无人问津的案子没人再管雷维尔思念妻子也更想弄明白妻子的死因一次尸检他发现了藏在死者身上的一枚钥匙这个死者叫乔纳森死于自杀他凭着这把钥匙追寻一路发现了很多的秘密也发现了和妻子被杀案有关的线索这时乔纳森的女儿出现了她为了探寻父亲的死因也和雷维尔一起开始侦查经过了很多紧张扣人心弦的经历之后雷维尔发现了惊人的秘密原来乔纳森不是自杀而是被他的女儿杀害的当乔纳森的女儿知道雷维尔已经察觉时便想要杀了雷维尔却被雷维尔杀死雷维尔进了监牢再次遇到侦探妻子案件的警官一切像是设计好的局雷维尔落入圈套

　　本片被很多人认为是莎士比亚戏剧改编中成就最高的一部由莎士比亚的五部戏剧浓缩而成讲述英国国王亨利四世即位后全国叛乱不止形势动荡王子却熟视无睹与其密友胖武士弗斯塔夫终日豪饮作乐弗斯塔夫是喜欢吹牛而无所不为之辈他向亨利四世进谗言说王子平叛不力把所有功劳归于自 己后来亨利四世驾崩王子继位为亨利五世弗斯塔夫以为自己能加官封爵岂料被昔日旧友一脚踢开原来亨利五世力图振作那段放荡日子从此不复返弗斯塔夫只得郁郁而终导演用自己的方式重新诠释了这个小丑故事但对他持同情态度因为导演指出弗斯塔夫的行径正是他对抗日益改变的世界的护身符从他与王子之间的友谊变化影射出这个世界早已今非昔比往日的骑士精神也因为强权政治的诡诈绝情而荡然无存

　　Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc
　　As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played
　　The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument
　　Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas

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