硬糖

　　葡萄牙电影入围2017悉尼电影节幽深的失魂森林是葡萄牙的自杀胜地某天一个想要自杀的老人遇见了同样求死的女孩老人和女孩各自敞开心扉在赴死的边缘犹豫接着画风骤转女孩把老人切腹大开杀戒贯穿全片的一句话是梵高的悲伤永驻

　　本剧以凤城市委为了向全球推广凤城的饮食和旅游文化特举办了首届全球华人中华厨王争霸赛邀请全球有华人血统的厨师汇聚凤城交流厨艺比赛争夺中华厨王的称号凤城已经过逝的国宝级大厨师黄师傅有三个徒弟阿中阿华阿仁他们于15年前黄师傅过逝后不久便分开了阿中留在凤城开了一家餐饮店龙腾山庄他秉承师父的遗训真心实意真材实料做人做事；阿华贪恋西方的生活嫁给一个美国华裔移居到了美国不久后却因为性格不合而离婚阿仁偷渡去了香港因为黑户的身份在香港也很难生活只是靠在小餐馆打零工渡日分散近15年的师兄姐弟在全球华人厨王争霸赛的召唤下又重新一起相聚在凤城共同研讨当年师父留下的天下第一菜的菜谱但这天下第一菜的菜谱看似简单实质却是很不同寻常艰奥难懂众人经过几番曲折之后定下心来细细思量才真正领悟了师父的本意才真正领悟了厨房的终极秘密

　　Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc
　　As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played
　　The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument
　　Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas