苏凤娣李丽珍 饰绍东李康生 饰和明宽谢君豪 饰是生活在80年代香港的年轻人命运随着时代大潮起伏苏凤娣从小生活在艇家因为一次盗窃事件认识了绍东继而绍东爱上了苏凤娣；然而苏凤娣爱的人却是进步青年明宽明宽有着一腔政治抱负并努力帮助油麻地群众谋取利益而 苏凤娣则默默在他身边协助其工作 无奈的是明宽和另一个女子结了婚与此同时他和苏凤娣保持着一种暧昧的关系并让苏凤娣怀上了自己的骨肉绍东陪着她去深圳堕胎陪着失忆的她慢慢找回记忆原来十几年来香港的政治运动已经化成历史就在这些小人物身上轻轻碾过成了他们命运的一部分
眼尖的他發現那幅畫作應是出自俄國大師列賓之手 住在赫爾辛基畫的商奧拉維總將藝術與工作視為第一甚至因此忽略了家庭和親人在退休前的一場拍賣會上一幅塵封的畫作意外吸引了奧拉維的注意他眼尖發現那幅畫作應該是出自俄國現實主義大師列賓Ilya Repin之手奈何畫作上並未署名加上拍賣目錄資料無多致使價格低落乏人問津 嗅到商機的奧拉維決定在退休前再幹最後一筆交易只要證實該畫確屬列賓真跡立刻價值連城他就能從中大撈一筆此時奧拉維多年不見的女兒蕾拉突然出現拜託他代為照顧15歲的孫子奧多為避免打草驚蛇奧拉維於是叫奧多去調查畫作背景自己則四處借貸購畫的資金 奧多查出該畫作確實為列賓所繪此時資金借貸到位的奧拉維決定要孤注一擲但讓他最感納悶的是列賓為何要匿名作畫而這幅未署名的畫作又如何能證據出自他手並飆出驚人的銷售記錄
故事发生在1920年天津一武馆馆长过世老馆长生前为了让儿子沈岸向佐 饰脱离武行为其谋了一份银行的差事决定让大弟子齐铨安志杰 饰接班不料齐铨的种种新做法破了武行的规矩引起骚乱老一辈们请沈岸回来意图用比武的方式逼齐铨退出武行
Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas
黑人移工里奥莫名从工地一跃而下陷入昏迷；护士玛丽安娜为了逃离她在里斯本的生活自愿陪着里奥回到家乡――前葡萄牙殖民地佛得角在这个岩浆不断喷发的火山岛上不谙方言的她虽无法与当地人沟通却能感受到一股神祕的死亡力量并经历了一段无疾而终的爱情在玛丽安娜的私密旅程中关于殖民的伤痕爱与孤独之忧郁意象不言而喻
爱丽丝尤拉西纳·拉尔迪 Ursina Lardi 饰和丈夫弗兰克多米尼克·杨恩 Dominique Jann 饰一起生活已经十八年之久了爱丽丝本以为她一定是这个世界上最了解弗兰克的那个人但事实却狠狠的给了她一个耳光让她开始意识到自己或许对枕边的这个朝夕相处的男人一无所知 种种迹象表面弗兰克的心思已经不在自己的家庭里了而是转移到了一个名叫帕布洛安东尼奥·布尔 Antonio Buíl 饰的男人身上丈夫出轨了出轨的对象竟然还是个男人这对爱丽丝和两人的三个孩子们来说都是巨大的打击随着时间的推移爱丽丝渐渐意识到自己已经再也无法挽回弗兰克对自己的爱了那么她还有什么更好的选择吗
In Uruguay, they don#39t say cheese in front of the camera they say whisky Beneath the artificially photographed smiles, however, is a blueprint for the quotSouth American Gothic,quot minus the farm and the forks These Montevidean folks#39 stony expressions belie a life gripped frozen by accustomed routines So it goes with an old Jewish bachelor who owns an ageing sock factory When his estranged younger brother decides to visit for their mother#39s burial, he asks his employee Marta to pose as his wife The resulting encounter creates clumsy silences that are uncomfortably comic Grand Prize, Tokyo Film Festival and FIPRESCI prize from Cannes 這一代的年輕人真係好老成好cool兩個新導演還不到三十便已拍出型到飛起黑色到痺的老人寂寞晚境話說襪廠老闆阿積孤家寡人寂寞到死一天飛來鴻雁巴西的弟弟話來拜訪他要表面風光唯有求忠厚下屬瑪泰暫充老婆兩個名字同樣叫孤獨的六十幾歲人忽然親近彆扭得不在話下口若懸河的巴西弟弟一出現畫面調子大轉彎三人海邊度假瑪泰沉睡的神經率先波動往後發生的事估都估唔到郭利斯馬基式冷面幽默扭橋扭到熱帶南美黑色照舊輕描淡寫功力同樣高超另一種風情絕對原創去年康城驚艷連奪國際影評人獎及原創觀點大獎 Source 29th HKIFF 2005
裏社会や闇金に関わる人間たちの生きざまを描いた「闇金ドッグス」のシリーズ第2作前作に引き続きヤンキー映画「ガチバン」シリーズにも登場する安藤忠臣が主人公となるイケメンホストの須藤司を雇い闇金稼業を続けている安藤ある日債務者の岡林が恋人であるスナックのママが手術費用として200万円が必要なため追加融資をしてほしいと頼んでくるこれまで真面目に返済している岡林の実績を信じ条件付きで200万円を貸した安藤だったが岡林は資金繰りがうまくいかずに行方をくらましてしまう主人公・安藤を前作や「ガチバン」シリーズ同様に山田裕貴が演じミュージカル「テニスの王子様」や「仮面ライダー鎧武ガイム外伝」の青木玄徳が須藤役で共演
