#PTGF出租女友

小龙喜欢打拳与人有约骠叔是他的经纪常常出谋划策终与一黑老大起了冲突

　　斯宾塞Jason Jurman 饰和霍根沃伦·科尔 Warren Kole 饰一直以来都过着平淡无奇的生活毕业之后两人陷入了迷茫和沮丧之中他们被迫为一个离婚的可恶女人工作承受着她刻薄的言语和无情的折磨同时斯宾塞还身陷一段不愉快的感情关系之中而霍根则渴望迈向崭新的生活
　　就在这个风雨飘摇的时刻命运给了他们一个意料之外的机会一次改变一切的机会他们决定合力创办一个特殊俱乐部这个俱乐部的特色是由年轻男子为年长女性提供专属服务名为美洲狮这个创意独特而大胆引起了许多人的兴趣和好奇于是斯宾塞和霍根全力以赴筹备并开始运营这家俱乐部他们通过独特的服务和周到的关怀迅速赢得了顾客们的喜爱

　　Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc
　　As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played
　　The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument
　　Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas