脱轨时代

　　儿科医生贝克弗朗索瓦•克吕泽 饰与妻子玛格特乔瑟•克罗泽 饰在初次亲吻的老地方旧日重温时妻子被人带走几天后人们寻获了她的尸体警方判定玛格特被一名变态的连环杀手杀害从此贝克陷入了痛苦的思念和懊悔
　　八年后一封神秘的地暖在邮件发送到贝克的邮箱一份视频令他无比震撼玛格特出现了并约她到公园与此同时两具尸体使警察重新调查玛格特的案件律师通知贝克他遭到逮捕贝克决定去公园一探究竟就此一个潘多拉的盒子被打开

　　Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc
　　As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played
　　The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument
　　Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas

　　婚姻不幸的土耳其女子乌马伊西贝尔·凯基莉 Sibel Kekilli 饰不仅跟丈夫毫无爱情可言更时常遭受丈夫的家庭暴力悲剧的婚姻致使乌马伊带着儿子逃回了娘家德国然而她悲剧的命运并没有因此终止迎接她的非但不是一个可以依靠的温暖的家而是家人的冷嘲热讽为了声誉家人居然极力劝她按照传统习俗把儿子送回给土耳其的丈夫抚养面对家人的冷眼和唾弃善良宽容的乌马伊并没有放弃她坚持自己抚养儿子不得已下寄居在朋友家然而这仅仅是悲剧的序曲乌马伊带着儿子去看望病危的父亲却不曾想到等待她的居然是自己弟弟的枪口
　　本片不仅荣获2010年第60届柏林国际电影节欧洲院线大奖还获得欧洲电影奖德国电影奖在内的六次提名三项大奖

　　一个资产阶级作家没有随家人撤离而是满怀喜悦要目睹革命后的古巴现状他流连于哈瓦那的街头沉思并观望着这个国家的变化然而他也不自觉地因为自己的好色风流而陷入道德危机之中