巴贝特之宴

巴贝特之宴

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5.0|03月01日 22:12 |一桌150年前的法国年夜饭
简介:
豆瓣高分,口碑佳作,冷门佳片,获奖作品,奥斯卡金像奖,电影简介19世纪70年代与世隔绝的丹麦北部的小村庄一对督信路德教的姐妹花玛蒂娜和菲丽帕平日里深居简出在做牧师的父亲的引导下不惜牺牲爱情全身心地献身于宗教事业好心的姐妹二人收留了一个由巴黎避乱而来的女子巴贝特身世神秘的巴贝特原来是法国餐厅的名厨巴贝特幸运地获得了法国巨额彩金一万法郎为了回报这对好心的姐妹巴贝特决定在两姐妹父亲的忌辰时亲自掌厨为村民奉上一桌正宗丰盛的法国大餐本片根据丹麦女作家伊萨克·迪纳森的小说改编而成荣获1988年第60届奥斯卡金像奖最佳外语片大奖并获得1987年第40届戛纳电影节天主教人道奖以及1989年第46届金球奖最佳外语片提名
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主演:安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特
简介:

  Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career
  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc
  As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played
  The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument
  Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas

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主演:托马斯·米连,约瑟夫·科顿,Maria Fiore,Mario Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano Tranquilli,Shirley Corrigan,Antonio Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe Castellano,Tom Felleghy,伊妲·伽利,Adolfo Lastretti,Bruno Alias,布鲁诺·贝托奇,瓦尔特·帕特里亚尔卡
简介:Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best exles of his work in this genre Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo, in that it features two warring families and a strong character at the centre The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo' Rambo is dragged into the war between the two families after his brother is killed because of it Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another  The film's biggest asset is undoubtedly Tomas Milian Milian was put to great use by Lenzi in almost all of his crime thrillers The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist it doesn't stand tall as one of Lenzi's best Still, if you're looking for ninety minutes of testosterone fuelled mayhem Syndicate Sadists will suffice
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