简介：康沃尔渔村的风景明信片田园诗误导了人们虽然过去钓鱼是一种养家糊口的方式但如今富有的伦敦游客纷纷下山取代了当地人当地人的生计因此受到威胁史蒂文和马丁兄弟的关系也很紧张马丁是一个没有船的渔夫因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游他们卖掉了这座家庭别墅现在看来最后一场战斗是和新主人在海边的停车位上展开然而情况很快就失控了而不仅仅是因为车轮夹钳　　Bait是一种黑白手工制作16毫米胶片制作的电影许多关于鱼网龙虾长靴绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论对不同社会阶层的描述可以说是阶级关系也让人想起了英国电影中的社会现实主义传统然而最重要的是在影像中不同层次的电影历史参考文献之下当前许多政治关联正在等待被发现　　ThepicturepostcardidylloftheCornwallfishingvillageismisleadingWhilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatenedTherelationshipbetweenbrothersStevenandMartinisalsostrainedMartinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforallthedaytrippersThey’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttotheseaYetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp　　Baitisablackandwhitefilmshotonhandprocessed16mmNumerouscloseupsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractionsThedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinemaAboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages