简介：　　Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man Cecile, his wife, is holding Suzy responsible for his suicide By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her

简介：　　珍妮Anne Teyssèdre 饰是一名哲学老师一日在宴会上她与娜塔莎Florence Dare 饰相识也许是因为寂寞两个本无交集的人成为了朋友娜塔莎邀请珍妮到自己家里做客后者欣然前往娜塔莎有一个奇怪的家庭父亲离婚交往了一个年龄和自己相差无几的漂亮女朋友伊芙Eloïse Bennett 饰这一点令娜塔莎无法接受同时一条项链的失踪也加深了她与后妈的隔阂珍妮的介入让这个家庭里的关系发生了改变娜塔莎的父亲显然对知性的珍妮抱有好感而娜塔莎也渴望能和喜欢的珍妮组成新的家庭
　　对于娜塔莎的热情撮合珍妮显得有些被动她坚持听从自己内心的感情不愿掺和到这个复杂的家庭中去一次四人的乡村度假中酝酿已久的矛盾终于激发了娜塔莎同伊芙发生了争吵而她吃惊的发现自己一直信任的珍妮居然站在敌人的那一边她该怎么办在这个春天里友谊和爱情能否同时播下可以成长的种子呢

简介：　　西哈诺杰拉尔•德帕迪约 Gérard Depardieu 饰生性狂野不羁心地善良他默默地爱慕着表妹罗克珊安妮•波诺什 Anne Brochet 饰但是他生来长着一个丑陋的大鼻子纵使自己才华横溢也不敢对表妹表明心迹一天晚上他狠狠地嘲讽并且击败一个富家子之后罗克珊约他次日见面西哈诺写好情书后准备表明情愫之时罗克珊却告诉他自己爱上了英俊的新兵克里斯蒂文森特•佩雷斯 Vincent Perez 饰并嘱咐在同一兵队的西哈诺保护他克里斯蒂也喜欢着罗克珊西哈诺便将自己对罗克珊的爱慕付诸笔端以克里斯蒂之名送达罗克珊之手并且巧妙地安排了两人的婚姻谁知早就对罗克珊心怀不轨的军官见此情景愤恨难忍将克里斯蒂调去了阿拉斯作战……

简介：

　　父亲的荣耀和母亲的城堡是20世纪初发生普罗旺斯小山村里的温馨故事这两部电影均改编自Marcel Pagnol写的自传体小说讲述作者回忆童年时光的琐事也叫初渡艳阳天和再见艳阳天父亲的荣耀的剧情描述马歇儿一家人及姨丈一家在民风淳朴的普罗旺斯地区合租了一幢别墅度暑假其间发生了不少趣事令马歇儿深深爱上了这块土地故事一开始介绍了这一家人的生活爸爸是个古板的老师妈妈总是担心马歇儿看太多书头会爆炸而马歇儿偏偏成天找书看甚至是菜谱姨丈是个爱吹牛的公务员
　　本片系马塞尔·帕格诺尔Marcel Pagnol的童年回忆改编自法国名作家马歇儿童年逸事的散文式喜剧与妈妈的城堡均由伊维斯·罗勃特导演是姊妹作这是令人感到内心愉悦的成长喜剧外景风光诗情画意另外普罗旺斯也就是屋顶上的骑兵的故事发生地点
　　改编自同名传记小说经典的法国电影在都市的喧嚣中体验法国乡村童年的温馨回忆

简介：

　　The American writer Joe arrives in Paris to research and write about Proust He meets the Polish Karl and they become friends and costumers of brothels and restaurants When the fifteen yearold Colette arrives in Paris, they both fall in love with her
　　Expatriate Henry Miller indulges in a variety of sexual escapades while struggling to establish himself as a serious writer in Paris
　　Very nice portrait of the thirties, 23 April 2002
　　Author Oreste orestesl@sympaticoca from Montréal, Québec
　　Different from many other Chabrol movies that follow quotHitchocklikequot patterns, _Jours tranquilles à Clichy_ relates the days a young American writer Henry Miller spent in the Gay Paris of the early thirties, with his polishdescent friend and their young Colette, a 14 years oldish girl with whom they both fall in love The story in itself doesn#39t send us from a surprising even to another but slowly lifts the curtain over the prostitution, pornography, libertinage and partying that seemed to oppose Paris so much to New York, in the eyes of Miller, searching for a change from the dull like he lead before The story is a quest for Proust and his lost time, a quest for a new life, for thrills, for truth in forgetting oneself