简介：杨家将屡次率兵击溃外来侵略军保住了大宋江山天下太平杨家将孙媳穆桂英随佘太君辞宫还乡安居20载又遇了东安王造反佘太君关心国家安危命重孙杨文广杨金花兄妹赴汴京探听消息适逢宋王在校场上选拔将才奸臣王强之子王伦武艺平庸却气焰万分王强向宋王力保王伦为元帅杨文广兄妹不服冲进校场与王伦比武刀劈王伦宋王原先以为杨家已绝后正苦于无人领兵平乱今见杨家还有这武艺高强的杨文广并得知女英雄穆桂英尚健在便将帅印交给杨文广封穆桂英为征东大元帅杨文广兄妹携印回家穆桂英见帅印感慨万分想杨家世世代代为国尽忠穿破了无数铁甲磨坏了多少鞍镫在沙场上冲锋陷阵保宋数十载牺牲了多少英雄好汉更恨宋王昏庸奸臣当道故迟迟不肯接印佘太君见穆桂英犹豫说了卫国安民的道理并要亲自带兵去平番穆桂英见白发如银的佘太君还有当年勇难道自己就没有了当年的威风便决意重整旗鼓发兵剿灭反寇辕门外三声炮响穆桂英披上了铁甲威风凛凛在天波府调兵遣将斥训了杨文广骄傲轻敌整顿军风佘太君亲到校场饯别瞬时金鼓震天旌旗蔽日杨家老小英雄个个精神抖擞气概昂扬穆桂英率领大军浩浩荡荡向边塞进发

简介：A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40 This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art　　Elem Klimov's griefstricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of directaddress interviews and photomontages, set against a mournful visualmusical backdrop Typically, Klimov films his subjects which include himself and several of Shepitko's collaborators within a stark, snowcovered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora Interweaving home movie footage with sequences from Shepitko's work Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context, Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death This brief symphony of sorrow anticipates the cathartic reversemotion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut

简介：拉美西斯大帝旗下的一个士兵把卡默斯的爹娘赶出了他们的家园卡默斯决定对这个不公平的事件展开抗争於是他出发前往埃及的首都底比斯想到土地司去调查这件事情然而进入土地司之前必须先经历过一番锻鍊；卡默斯下定决心要克服一切的阻碍因缘际会之下他遇到了一位名唤诺菲的女孩疯狂地陷入热恋并且获得了她的支持准备一起携手打这场官司然而诺菲与卡默斯来自两个完全不同的常阶层不过他们还是决定心手相连一起面对所有的挑战即便最後必须去面见法老王本人也不害怕拉美西斯大帝时代在底比斯附近的一座小村庄住著一对农民和他们的儿子卡默斯有一天他们家来了一个身材高大的士兵自称是法老王大军的退伍军人这士兵夺走了他们的田产和房屋还声称这是法老王的命令　　於是卡默斯决定到底比斯去讨回公道抗争的过程中他认识了一个同年龄的女孩──美丽的诺菲两人坠入了情网这一对小情侣真的能替卡默斯的爹娘讨回公道吗

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of today The development and the growth of the pattern of church architecture is shown　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing Each period is separated by a shot of a church bell doubleexposed on the sky Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches Dreyer would rework the script that was written by editor and folk highschool principal Bernhard Jensen, aided by a committee of experts consisting of architect H LønborgJensen and Victor Hermansen, curator at the National Museum of Denmark Dreyer had a first draft ready in midMarch, entitled Kirken er et gammelt Hus The Church Is an Old House, which was distributed to the members of the committee for their comments　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church　　On 4 July, Dreyer went in advance to Ringkøbing Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast　　Otherwise, the production went without a glitch Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras On 1 august, they returned to Copenhagen with almost all their footage in the can They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films

简介：It is a film from an extended series It is hard to say who is the main character of The Soviet Elegy There are more than a hundred faces of our compatriots But, of course, it is not by chance that it is the destiny of a famous political figure, Boris Nikolayevitch Yeltsin, that bears a special accent in the film Though he got to power following quite typical ways, his uncommon character puts him out of the ordinary, and in the author’s opinion it may be determined by his uncommon human nature Our hero exists within the tragic pattern of the soviet socialist life He is a character of a drama, of which he is one of the authors The Soviet Elegy can hardly be called a documentary film in the proper sense Of course, the author guarantees the accuracy of chronology, but he insists on an artistic mode of thinking, not on a political or historical investigation

简介：讲述国家监控局召开会议讨论应否除去一名党员之党籍

简介：One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him He immediately fled, without looking back From that moment on, his life changed, as if that night had never ended

简介：'In Vitro' is an otherworldly rumination on memory, history, place and identity Set in Bethlehem decades after an ecologicaldisaster, the dying founder of a subterranean orchard is engaged in a dialogue with her young successor, who was born underground and has never seen the town she's destined to replant and repopulate Inherited trauma, exile and collective memory are central themes

简介：影片获荷兰电影节最佳电视电影和最佳男演员奖内敛的十七岁男孩托马斯和他的性格奔放的妹妹娜奥米从童年起便被父母抛弃住在青年福利局和不同的寄养家庭中尽管他们希望从生活中获得更多却除了保护自身之外再看不到丝毫的其他出路在一次意外事件后他们忽然找到了生活中最重要的支柱虽然他们并非受上帝眷顾的国王之子但他们至少拥有彼此为此他们也将不惜一切小易甫字幕组

简介：尽管妻子渴望孩子年轻丈夫却希望借她之腹以胚胎移植的方式诞下因癌症离世的前未婚妻的后代围绕着婚姻危机中的女主角面临的个人法律和道德困境影片一方面通过生殖科学技术的伦理尺度讨论了由此限制母亲身份的特殊社会环境也开放性地表达了母子之间的生物学关联是否作为母爱概念的必要前提的质疑该短片入围2017年学生奥斯卡最佳外国剧情片奖是土耳其导演哈利特•伊兹在科隆媒体艺术学院KHM的2短

简介：无数人或许都向往着与魔法的不期而遇如果有一天魔法突然造访你的生活会出现什么样的插曲片中主人公一个普通到不能再普通的人过着平常到不能再平常的生活突然一天没有任何征兆地一只白鸽就这么从他的洗衣机中飞了出来从这之后怪事接二连三地发生魔法的到来打破了日常一贯的平静然而并没有像大多数人希望的那样生活似乎开始变得不那么容易了……豆瓣电影字幕翻译20小组

简介：柏林电影节特别展映

简介：Procida, a little Island in the gulf of Naples Last days of summer The adolescence of Domenico is coming to an end, just like his tormented relationship with Marcello Domenico looks for hospitality at Antonios house, his best friend, but soon he finds himself alone with the thirteen years old Antonios brother Lallo A journey of discovery starts, between adolescence and maturity The meeting with Sara, a transsexual woman, will bring to light the desires of the two young boys