更新时间：2025年12月14日
主演：吴代焕,全度妍,裴晟祐,金东旭,金钟求,郑满植,金在华,吴光禄,李璟荣,安秀浩,郑在咏,徐东锡,金江日,金正碧,崔钟律,吴万石,金光奎,金俊元,权成国,郑惠先,金哲秀,赵诗內
简介：Thestoryappearssimpleonthesurface,butisrevealed,especiallyaftermultipleviewings,asmoremultilayeredandtexturedthanCassavetesathisbestOstensiblyitconcernsa14yearoldCatholicgirl,WynneAguttergrowingupinthispostmodernwasteland,whodevelopsacrushonhermucholderadoptivebrotherMarshallacrushwhichperverselydeepensandgrowsintoinfatuationonceshestartstobelieveheisthelocalsexkillerThisisinitselfanideathatmakesyousitupandjolt,butasthenarrativedevelops,itcontinuesnotnecessarilyalongalinearpathbutinseveralconfusingandfascinatingdirectionsthefamily'shistory,detailedeffectivelyinchillingflashbackduringanimprovisedseanceisachequeredone,andhassufferedatleastonemajorrelocationandupheavalinthelasttenyearsAtthecrux,however,it'sthedepictionofsocialalchangesthatmakeIStartCountingsofascinatingandelevateitslanguagefarbeyondtheconfinesofthestandardhorrorfilmThemajorsubtextthatteenagegirlswerematuringmorequicklythanbefore,anddevelopingfullsexualandromanticappetitesevenifinthoughtratherthandeedbutwerenotpossessedofenoughdiscretiontomaketherightchoiceswasastepforwardforagenreinwhichitsyoungfemaleshadpreviouslybeenportrayedasbimbovictimsCoverGirlKillerandTheNightCallerspringtomind,butnotonethatallviewerswouldnecessarilyagreewithButmoststrikingofall,andpossiblythemostenduringimagewhichtheviewerwilltakeawaywiththem,isofthemasterfulsymbolismwithwhichdirectorGreeneinvestseveryshotEveryinchoftheKinchfamily'sworldtheirhouse,theirwalls,theirTV版,Aguttersunderwear,bedroomfurnitureandtoys,Sutcliffe'sclothes,Marshallsvan,thelocalCatholicchurch,theirtowncentre,theirrecordshopispaintedabright,scintillatingwhiteawhitewhich,byinference,isslowlybecomingsmudgedandcorruptedwiththedirtoftheoutsideworldWhitealsosymbolises,ofcourse,purityandinnocencetwoqualitiesCatholicschoolgirlsaresupposedtoholddear,anditisintothisworldofinnocencethattheeverpresentredbusasymbolofviolationandpenetration,conductedbythelecherousyetsimilarlyjuvenileSimonWard,makesregularjourneysTheallegoryisfurtherexpandedinonescenewhereAgutterbelievessheseestheChristfigureinchurchweepingbloodbythetimeweacknowledgeit,itsgone,buttheseedhasalreadybeenplantedRarelyinagenreproductionhastheuseofcolourandbackgroundbeensoimportantoreffectiveincreatingauniformityofmoodIStartCountingisasnearperfectanendtoadecadeasonecouldhopefor,andexactlythekindoffilmpeopleshouldbemakingnowwhichis,ofcourse,exactlywhytheyneverwillAgenreessentialbyDR
